Showing posts with label Hannah Gosselin. Show all posts
Showing posts with label Hannah Gosselin. Show all posts

Thursday, January 29, 2015

Transforming Thursday/Friday with Nature's Wonders

Hello to everyone in the Imaginary Garden today!

It's Hannah here with beautiful places on this planet for our poetic inspiration - the Lavender Fields of UK and France.

Abbey in France with lavender field-"Sénanque 06" by EmDee - Own work. Licensed under CC 

Bored Panda

Sometimes I like to write with music and a visual backdrop behind a minimized word document.



Lavender has many uses - among them, it's medicinal and used for anti-anxiety purposes.


Single lavendar flower cc "Fir0002/Flagstaffotos".


In history...

The ancient Greeks called the lavender herb nardus, after the Syrian city of Naarda (possibly the modern town of Dohuk, Iraq). It was also commonly called nard.

Lavender was one of the holy herbs used in the biblical Temple to prepare the holy essence, and nard ('nerd' in Hebrew) is mentioned in the Song of Solomon.

So...poetic friends...explore the places and/or the plant and bring back that which enthuses your muse!

A Note:

"The challenges and prompts we offer have parameters in regards to form, theme, subject and/or method. We ask that participants respect the time taken by our individual contributors to research, set up their post and visit the links of all who join in by entering into the spirit of the challenge and following the guidelines laid down. Our purpose is to stretch our abilities as writers, and to experiment with new ways of writing. We also request that a participant provide a link back to the post on Real Toads from their own site. The option of The Tuesday Platform does exist for poets to share a poem of their choice, and a link back is not a prerequisite. 

The moderators reserve the right to remove any inappropriate or unrelated link that is made on Real Toads, at their own discretion."


As a reminder, this challenge will be on the homepage for Thursday and Friday so you have an extra day for creative process...have fun and I look forward to reading your poems! 

Tuesday, November 18, 2014

Erasure? Sure! – Personal Challenge for Hannah

Yay!! I was picked and here’s the challenge…

Björn says, “I want you to present a piece of erasure poetry. The idea is simple – take a book page – provided by me. Then by erasing everything but the words needed for your poem present it (together with a picture of your book-page). As an additional (which should be easy for you) the poem should have an autumn theme).  So print it out and black out all the words that are not part of your poem J. The words have to be used in the exact order that they appear in the text.”

I didn't actually print it out because the gremlins got into my printer but I used my writing program and highlighted in black. Unfortunately, you can still see the original text through the highlighting but actually, some might be interested to read the context, (a page from Bleak House), from which I’ve carved this poem.

I hope you enjoy it…I certainly did! Thank you for the challenge, Björn.

Gas looming through the fog in divers places in the streets, much as the sun may, from the spongey fields, be seen to loom by husbandman and ploughboy. Most of the shops lighted two hours before their time—as the gas seems to know, for it has a haggard and unwilling look.
The raw afternoon is rawest, and the dense fog is densest, and the muddy streets are muddiest near that leaden-headed old obstruction, appropriate ornament for the threshold of a leaden-headed old corporation, Temple Bar. And hard by Temple Bar, in Lincoln's Inn Hall, at the very heart of the fog, sits the Lord High Chancellor in his High Court of Chancery.
Never can there come fog too thick, never can there come mud and mire too deep, to assort with the groping and floundering condition which this High Court of Chancery, most pestilent of hoary sinners, holds this day in the sight of heaven and earth.
On such an afternoon, if ever, the Lord High Chancellor ought to be sitting here—as here he is—with a foggy glory round his head, softly fenced in with crimson cloth and curtains, addressed by a large advocate with great whiskers, a little voice, and an interminable brief, and outwardly directing his contemplation to the lantern in the roof, where he can see nothing but fog. On such an afternoon some score of members of the High Court of Chancery bar ought to be—as here they are—mistily engaged in one of the ten thousand stages of an endless cause, tripping one another up on slippery precedents, groping knee-deep in technicalities, running their goat-hair and horsehair warded heads against walls of words and making a pretence of equity with serious faces, as players might. On such an afternoon the various solicitors in the cause, some two or three of whom have inherited it from their fathers, who made a fortune by it, ought to be—as are they not?—ranged in a line, in a long matted well (but you might look in vain for truth at the bottom of it) between the registrar's red table and the silk gowns, with bills, cross-bills, answers, rejoinders, injunctions, affidavits, issues, references to masters, masters' reports, mountains of costly nonsense, piled before them. Well may the court be dim, with wasting candles here and there; well may the fog hang heavy in it, as if it would never get out; well may the stained-glass windows lose their colour and admit no light of day into the place; well may the uninitiated from the streets, who peep in through the glass panes in the door, be deterred from entrance by its owlish aspect and by the drawl, languidly echoing to the roof from the padded dais where the Lord High Chancellor looks into the lantern that has no light in it and where the attendant wigs are all stuck in a fog-bank! This is the Court of Chanc-


This is my compiled and titled version...probably easier to read. :)

Autumn Afternoon
Looming fog in streets,
sun from fields seen by boy.
Light before time – seems to know.
Look
raw afternoon
near that Temple
at the very heart of fog,
fog thick, mud and mire
deep –
hold this day in sight
heaven and earth
an afternoon sitting here
glory softly fenced with crimson
addressed by a little voice,
brief and direct.
Lantern can see on such an afternoon
mistily engaged an endless tripping –
running horse…
walls of words play on an afternoon inherited.
Fortune in a well
(look for truth at the bottom),
red silk owns answers –
mountains piled.
Candles here and there stain windows
and light of day may initiate from streets;
through glass panes entrance by owl
and languid echoing…
the lantern has light in it
and fog. 


I'm looking forward to picking on someone for the next challenge - so keep an eye on your inboxes Toads! 

There isn't a Mr. Linky today but if anyone is inspired by this challenge and wants to play, please feel free to leave a link to your blog below or paste an offering in the comments.

Have a wonderful day Garden Dwellers! 


Friday, November 7, 2014

Transforming Friday with Nature's Wonders

Hello Toads and Pond Dwellers - it's Hannah with a magical natural location to inspire you. Let's explore the wide web searching for aspects of Antelope Canyon, USA, to write poems about.

There's the Upper Antelope Canyon or The Crack; and Lower Antelope Canyon or The Corkscrew.

The Navajo name for Upper Antelope Canyon is Tsé bighánílíní, which means "the place where water runs through rocks" and the Lower Antelope Canyon is Hazdistazí or "spiral rock arches." Both are located within the LeChee Chapter of the Navajo Nation.


(A beam of light in Upper Antelope Canyon
in Arizona. Lucas Löffler wiki cc)

Here's a little background on how these canyons were born.

Antelope Canyon was formed by erosion of Navajo Sandstone, primarily due to flash flooding and secondarily due to other sub-aerial processes. Rainwater, especially during monsoon season, runs into the extensive basin above the slot canyon sections, picking up speed and sand as it rushes into the narrow passageways. Over time the passageways eroded away, making the corridors deeper and smoothing hard edges in such a way as to form characteristic 'flowing' shapes in the rock.

Many of the clips were a bit too tourist-y flavored, for my liking but this one made me happy. I hope you enjoy it, too.




There're lots of ways you could include these canyons in your work...it could be the setting, color, sound quality or even explore the canyon in metaphor - the choice is yours. :)

Please offer new poems written for this challenge and be sure to make the rounds. I look forward to reading you. Happy weekend everyone! :)

Saturday, July 19, 2014

Sunday's Mini-Challenge: Boomerang Metaphors



(Wiki Public Domain- A typical wooden returning boomerang)

A boomerang is a thrown tool, typically constructed as a flat aerofoil, that is designed to spin about an axis perpendicular to the direction of its flight.

A returning boomerang is designed to be thrown in a closed arch path, which returns to the thrower.

Boomerangs have been historically used for hunting, as well as sport, and entertainment. They are commonly thought of as an Australian icon.

A metaphor is a figure of speech that describes a subject by asserting that it is, on some point of comparison, the same as another otherwise unrelated object. It is a figure of speech comparing two unlike things without using either "like" or "as". It is not to be mistaken with a simile which does use "like" or "as" in comparisons. Metaphor is a type of analogy.

Hello everyone!

I'm pretty excited to share this form with you...I hope that you'll enjoy it as much as I do. :)

I've been in love with the This poem is a ___, poems. I'd say it's one of my new favorite approaches to poetry and I’ve invented a form to serve the idea and give it a shape that can be repeated. I call it Boomerang Metaphors, (you’ll see why)!

Boomerang Metaphors (invented by Hannah Gosselin)

* Create three, “This poem is a ____,” statements.

* Support each statement in separate stanzas, (one can choose the length of the supporting stanzas and whether or not to rhyme or employ free verse).

* Restate the statement that’s being supported in the last line of these supporting stanzas, (as mini boomerang metaphor refrains).

* Then name the list of three, “This poem is a _____,” statements again as a boomerang metaphors closing refrain.

Note: One may choose to state the closing refrain slightly morphed but mostly the same. As it seems, words that go out into the world do tend to come back touched – slightly transformed.

* The title encapsulates the three listed elements, “This Poem is a ____, ____ and a _____”

A suggestion: One may choose to free write as a precursor to writing this form. I find that it’s really freeing to list a bunch of, “This poem is a ___,” statements before beginning. You may end up with some that relate that you can trio together or some that juxtapose to contrast brilliantly.

I sure hope that you’ll try this form! I had a fun time creating it and I believe it will live in my tool box of writing implements for years to come!

If anyone would like an example of a poem written to this form please, feel free to click over to read the first poem that resulted when I applied the formula that I designed. It's entitled, This Poem is a Hoe, the Wheel and a Sphere. 

Also, if anyone's interested, there's a link at the bottom of that post that will bring you to Poets United where this form was recently featured in a chat between poets.  

Thank you, for the opportunity to share this form. :) 

Please, visit your blogging friends and see what they've created, too. 

Friday, November 22, 2013

Transforming Friday with Nature's Wonders

Hello poetic friends!! It's Hannah here with yet another inspiring nature place to allow our muses to feast upon.

Red Beach, Panjin, China...


via photobucket- (Home to more than 236 types of birds)

Red Beach is located in the Liaohe River Delta, about 30 kilometers southwest of Panjin City in China. The beach’s unique color is caused by a type of plant called Suaeda vera or Shrubby Sea-blite which is a coastal species that flourishes in the saline-alkali soil. The plant remains green during the summer but in the fall, when the plant has matured, it takes on a deep red color creating a stunning red sea landscape. Most of Red Beach is a nature reserve and closed to the public. Only a small, remote section is open to tourists.

More images of Red Beach.


via Wikipedia uner cca share alike 

Some interesting facts I found in my travels...

The Suaeda fruticosa A.K.A. Shrubby Seablite are used as a poultice in the treatment of ophthalmia, (also called ophthalmitis, is inflammation of the eye).When infused in water, they have been used as an emetic, (a medicine or other substance that causes vomiting).  Also, the plant is rich in potassium and is often burnt as a source of potash which is a potassium or a potassium compound especially as used in agriculture or industry for making soap and glass.


via Wikipedia under cca share alike


I found this intriguing...

Potash /ˈpɒtæʃ/ is any of various mined and manufactured salts that contain potassium in water-soluble form.The name derives from "pot ash", which refers to plant ashes soaked in water in a pot, the primary means of manufacturing the product before the industrial era. The word "potassium" is derived from potash.

Okay, so run with it...er...write with it. Go in any direction you please...play with the place, color, pictures I featured, facts that I found or ones that you might find...be inspired and have fun!

Please write something new today and be sure to take the time to support your fellow blogging friends that link up here!! 

Thank you, in advance for playing along with your words and voices that are unique and treasured. :)



Tuesday, October 15, 2013

A Toad's Favo(u)rite...The Prophet

(Khalil Gibran, photograph by Fred Holland Day, c. 1898. wiki commons)




Khalil Gibran.jpg
Khalil Gibran, April 1913
BornJubran Khalil Jubran
January 6, 1883
Bsharri, Mount Lebanon Mutasarrifate, Ottoman Syria(modern day Lebanon)
DiedApril 10, 1931 (aged 48)
New York City, United States
OccupationPoet, painter, writer, philosopher,theologian, visual artist
NationalityLebanese
GenresPoetry, parable, short story
Literary movementMahjar, New York Pen League
Notable work(s)The Prophet, Broken Wings

The Prophet is a book of 26 prose poetry essays written in English by the Lebanese artist, philosopher and writer Kahlil Gibran.[1] It was originally published in 1923 by Alfred A. Knopf. It is Gibran's best known work. The Prophet has been translated into over forty different languages[2] and has never been out of print.[3] (Wikipedia)


A friend of mine that I hadn't seen since high school gave me this book, (probably about two years ago now), she moved back to our home state from living out west for about a decade.The book was a gift to her from a boyfriend in her senior year of high school...I had never heard of it before and she mentioned that she thought I'd like it and that she'd found an extra copy at the local free section at the transfer station AKA "The Mall." Ha! 

Any way...this collection is rich and deeply wise...it sits next to my copy of the Tao Te Ching because it feels similar in it's timeless wisdom.

It's the sort of writing that one might choose to digest in small portions...one can read it in a single sitting but in order to glean all the gems...little bites are best.



It's truly beautiful writing...

Here's a section that I find magical:

On Eating and Drinking
 Kahlil Gibran

Would that you could live on the fragrance of the earth, and like an air plant be sustained by the light.
But since you must kill to eat, and rob the newly born of its mother's milk to quench your thirst, let it then be an act of worship.
And let your board stand an altar on which the pure and the innocent of forest and plain are sacrificed for that which is purer and still more innocent in man. 


When you kill a beast say to him in your heart,
"By the same power that slays you, I too am slain; and I too shall be consumed.
For the law that delivered you into my hand shall deliver me into a mightier hand.
Your blood and my blood is naught but the sap that feeds the tree of heaven." 


And when you crush an apple with your teeth, say to it in your heart,
"Your seeds shall live in my body,
And the buds of your tomorrow shall blossom in my heart, 
And your fragrance shall be my breath,
And together we shall rejoice through all the seasons." 


And in the autumn, when you gather the grapes of your vineyards for the winepress, say in your heart,
"I too am a vineyard, and my fruit shall be gathered for the winepress,
And like new wine I shall be kept in eternal vessels."
And in winter, when you draw the wine, let there be in your heart a song for each cup;
And let there be in the song a remembrance for the autumn days, and for the vineyard, and for the winepress.... 


Thank you for joining me in this moment for favo(u)rites to reflect on the talented gift of this particular poet. 

Tuesday, August 13, 2013

A Toad's Favo(u)rite...The Summer Day

Hello Toady friends!!

It's me, Hannah, here to share a new-to-me, (within the last couple of years), favorite poet!!

A friend of mine read one of Mary's poems during the moment for creation portion of our faith community's service and I was transported to nature and her words brought a thrill of joy to my core.

It was a verbal unveiling. So magical.

I can't remember which poem it was and I had a heck of a time choosing just one to share...my cup overflows with adoration for so many of her works...

So I spun the wheel and landed on this beauty.

The Summer Day

Mary Oliver

Who made the world?
Who made the swan, and the black bear?
Who made the grasshopper?
This grasshopper, I mean-
the one who has flung herself out of the grass,
the one who is eating sugar out of my hand,
who is moving her jaws back and forth instead of up and down-
who is gazing around with her enormous and complicated eyes.
Now she lifts her pale forearms and thoroughly washes her face.
Now she snaps her wings open, and floats away.

 Please, continue with the second half...

And/or here's the poem read in its entirety by the poet.



Can I tell you why I love Mary Oliver's poetry?

I love the delicate balance of inner monologue and her reflections on the natural world. I adore the way she poses questions to her reader, drawing them in thoughtfully to grow and expand. It's like an invitation...a hand extended, to meet with her in an intimate, meditative moment.

Her poetry breaks the barriers of time and distance and draws one into an eternal now space, a place of oneness and unity within humanity and nature.

Thank you all, so much, for taking a Mary Oliver moment with me!! Warm smiles to all. :)


Thursday, July 25, 2013

Collaboration ~ Hannah and Kim

Hello Toads and Pond Dwellers! It’s Kim and Hannah with our poetic collaboration. 

We explored the gardens of each other’s lives and learned that we’re both inspired by our natural surroundings. We have a commonality in our love of nature so what better way to bring you into our worlds then to take a stroll in them? 


We’ve presented pictures from one another’s gardens and three line responses to the photography that inspired us. These are not necessarily haiku, as they do not follow a syllabic count and form, but rather a way to honor, in brevity, the beauty and breath of nature.

Enjoy the walk in words and images!!


Copyright © Kim Nelson

Rows of quills and spires
hold plumes of indigo glow
deep green sanctuary.

~Hannah Gosselin


Copyright © Kim Nelson

Golden breath of inspiration,
brilliant white face of feathered layers;
violet mane of flowered dragon entices.

~Hannah Gosselin


Copyright © Kim Nelson

Soft gray in the shadows of terra-cotta orange
we pause and care for our creative selves
breathing fully of the sky-climbing lavender.

~Hannah Gosselin


Creatures connected
Lined-shadowed-complex
Leaves, trees, people, bees

~Kim Nelson


It’s all there, as it should be.
The fresh and the rot
Life. Cycles. Perfect.

~Kim Nelson





Wild rose surrounded by green
Ideal example
Of beauty in being unique

~Kim Nelson


Thank you for joining us in this colorful creative space. ♥

Tuesday, January 22, 2013

Falcon and the Woodpecker Converse

A piece of musicality for your enjoyment, 

if it pleases you...






When we two toads came into tandem, our attempt to get to know each other grew into a 20-page conversation on Google Docs which included personal histories, astrology, and the Native American Medicine Wheel. 
   

We used each of our earth influences: Awakening Time for Hannah and The Long Days Time for Susan. We employed our animal and birth totems: Falcon for Hannah and Woodpecker for Susan. And we added our mineral totems as well: Opal for Hannah and Rose Quartz for Susan.
   
Next, Susan used Hannah’s text and Hannah used Susan’s text to create separate erasure poems.  Finally, we wove the erasure poems together to create the following poem, “Words Between Birds.”


Susan says: Hannah!  What a pleasure to have you as my pen pal over the last month.   I learned a lot from you, and Hey!  We  built our poem with no panic or writer’s block.   You are one amazing person, and--though we wrote as birds--I am happy to be a toad in the same garden as you.  

Hannah says: Ditto, Susan!! It has been such a joy to write with you. The space that we created became a shared personal journal and the experience and you have been very inspiring to me. It was such a treat and honor to get the opportunity to glimpse life from your perspective and to share a bird's eye view of life in my world as well!

Birds of a feather and toads of the same cool pool....it has been such a pleasure!!

Without further ado we present to you, 

our friendly toads, the poem...



(via Flicker By donjd2 under creative commons)



Words Between Birds

It’s just a thinking day for me,
a day to take apart the furrows from brows
create surrealistic pillows,
hearts as we look out windows.
It rained all night…
I was a child and had chickens out back.
I was a child…
refusing to come down
from the weeping willow tree near the cornfield.
It rained all night.


So much potential in this wide-open white space
looking at snow fall--the really tiny-orby-kind
that floats around before falling -- the full moon . . .
shines through falcon eyes, opal, awakening time.
“That very first moment when our eyes met the thinness
of the veil-- between heaven and earth in that moment…”

I wished to access true aboriginal Astronomy,
I wished to access The Long Days Time.
When you waken having not slept,
when you awaken containing the moon,
are you connected to the tides?  
Do you feel phases of the sun?
Do you feel the true Astronomy
of long ago days?

The boys are buzzing around, the two year old
shaking a box of blocks on the couch.  Sometimes
overwhelmed with love and other times of the month
swamped with disconnect...so much love and hate...
I am fire: words buoy up to speckle the diamond-bright
surface just where they’re meant to be.

Large Starlings sit on the feeder
and discuss world’s end:
impossibly transformed-
seeds not up to sprouting-
not up to inventing some inner voice.
What if you need a spark?
What if you’re cold and you need a fire?
What if God just shows up?

What does it feel like not to have been a parent?
Who hasn’t parented in some way?  lots of different
ways?  in current affairs and history? by teaching
The Word in sign language, reading lips?  When
will this day let down her gray-guard...heavy
and blanketed breath of mist?

Windy and cold today…
It would feel noisy,
(bare arms on soft sweater),
to me it feels quiet
like a tree house in a deep back yard.
Windy and cold today
but I am water woman
basking in lingering family warmth.

Barren-dark twiggy fingers grope for a clearing,
claw for one last glimpse of clear sky-hungry
for even just a shred of sunshine’s warmth.
Childlessness...makes the heart ache …
Falcon and Woodpecker plucking and placing
each other’s words...nesting them together.

        I am woodpecker seeking rose-quartz
        waiting for a baby to be born.
In their arms they hold their labor,
I see tears and I think I understand  
how it feels to look at a person you made.
How golden her eyes are…
a sweet bouquet of flowers
in a weedy day;
intensely beautiful.
Just a thinking day for me...