Definition

One must make a distinction however: when dragged into prominence by half poets, the result is not poetry, nor till the autocrats among us can be “literalists of the imagination”—above insolence and triviality and can present for inspection, imaginary gardens with real toads in them, shall we have it.

Saturday, March 24, 2018

Weekend Mini Challenge: The Heroic Couplet

Welcome to the Weekend Mini Challenge with Kim from Writing in North Norfolk.

I have been reading A Norton Anthology of Poetic Forms by Mark Strand and Eavan Boland, entitled The Making of a Poem, which ‘looks squarely at some of the headaches and mysteries of poetic form’ and answers questions such as ’How does a sonnet work? What are the rules of a sestina, and who established them? What gets repeated in a villanelle? And where?’

Although I am familiar with most of the forms covered in this book, I’m learning a lot of new stuff. For example, I thought a heroic couplet was just a couplet, ‘an element of form rather than a form in itself’. According to this book, ‘the couplet evolved out of parts of a poem’ and by the eighteenth century ‘the heroic couplet reigned supreme’.

A heroic couplet is a rhyming pair of lines that can be built up with further couplets to create a poem of any number of lines about high subject matter. The meter is usually iambic pentameter (ten syllables with alternating stresses) but may also be tetrameter, and the rhyme scheme is aabbcc and so on. It generally has a strong pause or caesura in the middle of a line, usually after the fifth or sixth syllable.

The sharp rhymes and regular beat made it widely used from the sixteenth to the eighteenth century for epigrammatic and satirical poetry, and its ‘fashionable, tight enclosure of sense and sensibility became an emblem for the times’. Which is probably why I had trouble finding examples of modern heroic couplets, other than the two given in the book, 'Strange Meeting' by Wilfred Owen and ‘The J Car’ by Thom Gunn, which are both rather long examples for a mini challenge. 

According to Wikipedia, twentieth century authors have occasionally made use of the heroic couplet, often as an allusion to the works of poets of previous centuries. This weekend the challenge is to write a short-ish (no longer than 30 lines) modern poem in heroic couplets about a favourite poet or one of their works - it doesn’t have to be in iambic pentameter but I would like to see use of strong pauses/caesurae.



6 comments:

Kim Russell said...

I got back from a poetry work shop just in time to welcome fellow Toads to the weekend mini challenge and post my poem!
The workshop was with Martin Figura. It was interesting and there was a wide range of writing experience in the group. I even managed to get some lines down, which is difficult when you're used to working in your own space. But when I was invited to read a poem I had lost my voice. I could barely squeak.
I'm pleased that I have come back with some material to work on. In the meantime, I'm excited about reading your heroic couplets inspired by favourite poets or their poems.

Gillena Cox said...

Fascinated by this video Kim. I searched and read the poem also at Poetry Foundation. Thanks for a very interesting challenge.
Will be back later with my offering of words

Happy Saturday every one

much love...

brudberg said...

A long time since I worked my iambic muscles... will do my best to fit the prompt.

Kim Russell said...

Thank you Gillena and Bjorn. I'm looking forward to reading your words.

Gillena Cox said...

Hope i got this

much love...

Kerry O'Connor said...

Wilfred Owens does wonders with half rhyme in Strange Meeting. It is the best example I know of in literature - or my personal favourite at least. I once wrote much in the way of rhyme schemed poetry but I find a few lines of free verse about all I can manage at short notice these days. But who knows what inspiration I might find in a challenge of this nature? thank you, Kim.